About Flaming Jangle Studios

• Full stereo mix of your song
   
• Mastering included (unless you’d prefer to master elsewhere)
   
• Hybrid workflow using high-end analogue gear and premium plugins
   
• WAV, MP3 or DDP delivery
   
• Three free revisions within 30 days
   
• Turnaround: 3–5 working days per track

Try a Free 30-Second Sample Mix - just send a section of your song, and I’ll mix it for free so you can decide if we’re a good fit. 

I work from a hybrid analogue/digital studio designed to offer both precision and colour. My setup blends high-end plugins with carefully chosen outboard gear—so your mixes can be as clean, warm, punchy, or textured as your music needs. 

• SSL SiX – SuperAnalogue summing, routing, and EQ
   
• 500-series lunchbox with:
   
• Chandler Limited TG Opto Compressor
   
• Rupert Neve Designs 551 EQ
   
• Kush Clariphonic EQ
   
• SSL E-Series EQ
   
• Rupert Neve Designs 542 Tape Emulator
   
• Warm Audio WA73-EQ – Neve-style mic preamp with EQ for rich, vintage colour
   
• Warm Audio WA76 – 1176-style FET compression
   
• Warm Audio EQP-WA – Tube-based Pultec-style EQ
   
• Akai 4000D Reel-to-Reel – Mono tape machine for natural saturation, feedback, and delay
   
• WEM Copicat IC300 – Classic analogue tape delay unit; lo-fidelity repeats, tape wobble, and saturated echo

•  Tascam Porta One Ministudio – 4-track cassette recorder used to add cassette texture, grit, or warble
   
• Porch Reverb Chamber – Enclosed front porch used to capture natural, gritty reflections
   
• Porch-to-Tape Chain – Reverb signal sent through the Akai for authentic lo-fidelity delay and saturation
   
• Focusrite Clarett+ 2Pre – Clean, reliable audio interface

• DAW: Pro Tools
   
• Mixing & Mastering Suites:
   
• FabFilter
   
• UAD (Universal Audio)
   
• Soundtoys
   
• Acustica Audio
   
• Kush Audio
   
• Softube
   
• Waves
   
• IK Multimedia T-RackS 5 & 6
   
• iZotope Neutron 4 + RX 10

From transparent modern polish to rich analogue character, I use the right combination of tools to bring out the best in every track - always in service of the song. 

To get the best out of your track, here’s what I’ll need from you before I start mixing:

• Individual audio tracks in the original recording format
  Please send your files in the same sample rate and bit depth they were recorded in - 24-bit / 48kHz WAVs are ideal, but I’m happy to work with whatever your session was recorded at - just send the raw tracks in their original format.
  Please avoid MP3s unless we’ve agreed to it in advance.
   
• Clearly labelled audio tracks
  Name each track so I know what’s what - e.g. kick.wav, lead vocals.wav, guitar left.wav, piano overdub.wav. Folders are fine. The clearer things are labelled, the smoother and faster the mix process will be.
   
• Edit your tracks before sending (if you can)
  Please cut out anything you don’t want in the final mix - like coughs, shuffling noises, clicks, or long gaps between takes.
  If there are breaths between vocal lines or other noises you want to keep for vibe, that’s totally fine - just leave them in.
  If you're not sure how to do this, don’t worry - I can help with editing. But if you're able to tidy things up a bit first, it really speeds up the process.
   
• A rough mix (even if it’s very rough)
  A quick bounce of how the track sounds in your session - no matter how messy - really helps me understand your feel, your intent, and what’s important in the song.
  It also lets me hear how you’ve panned the elements, what you’ve pushed forward, and how you’re currently hearing the balance.
  All of this speeds up the process and helps the final mix come together more smoothly and in line with your vision.
   
• Reference tracks (if you have a sound or genre in mind)
  If you’re aiming for a specific sound or genre, send me a song you like the production or tone of. That’s called a reference track, and it helps me understand the kind of space, energy, and mix balance you’re after - even if your own track is in a different style.

No problem. If you’re new to this or unsure how to export your audio, just get in touch. I’ll guide you through the steps - or help sort it myself if needed. We’ll make it work. 

Send me an email letting me know you'd like a mix. Whether you're ready to go or just curious, I’ll reply promptly and answer any questions you have.

If you’re happy to move forward, I’ll send you:

• A short client form to gather info about the song, artist name, release details, etc.
   
• A brief info sheet explaining how everything works
   
• An invoice for the mix

Once you’ve had a chance to look over the info pack and you're happy to go ahead, the next step is simply to pay the invoice I’ve already sent.

• For singles, full payment is needed before I begin mixing
   
• For EPs or multiple songs, we can do a 50% deposit upfront, with the rest paid later on
   

As soon as payment’s confirmed, you can send your files over and I’ll get started.
Nothing will be mixed or sent back until payment is received - but I’ll keep everything clear and easy along the way.

After payment, you'll send me your:

• Individual audio tracks (clearly labelled, in the original recording format)
   
• A rough mix
   
• Any notes or reference tracks if you have them
   

You can use Dropbox, WeTransfer, Google Drive, or any other file-sharing method you prefer.
I’ll check everything when it comes in and let you know if anything's missing or needs editing.

Once I’ve received your files and everything’s good to go, I’ll get to work on your mix.

Turnaround is usually 3–5 working days for a single track. I’ll keep you updated along the way.

You’ll receive:

• The first version of the mix for review
   
• Three free rounds of revisions within 30 days
   
• Once you approve the mix, I’ll apply a final mastering pass to bring everything up to release-ready level
   
• Final delivery in all required formats: WAV, MP3, DDP - ready for streaming, download, CD or vinyl
   

If you'd prefer to master your track elsewhere, just let me know and I’ll send over an unmastered version instead.